another picture still, The Cost of Living.
getting ready to head out to Indiescreen, tonight’s state-of-the-art host venue of the Williamsburg International Film Fest, featuring Regretting Fish at 9pm.
very proud of this film. can’t wait to show it again.
picture still from “The Cost of Living”… more to come
WINNERS!!!
very proud to announce, “Regretting Fish” is winner of BEST SCREENPLAY and BEST FEATURE, at the 2011 Williamsburg International Film Festival!
a snap of the twin statuettes, and pre-celebratory shot of myself, filmmaker BRAD SAVILLE and director of photography WILL SARGENT.
big congrats to the rest of the cast and crew…
very proud to announce, “Regretting Fish” will premier Thursday, September 22, at Willifest ~ Williamsburg International Film Festival ‘11, as the Opening Night Feature Film… come catch this NYC crime thrilling feature’s first ever showing, right here in NYC. (artwork by your’s truly, by the way)
from the ‘Alpha Male’ spread, by the great Kate Orne. In the September Esquire magazine Fashion Issue.
NY Cosmos Soccer Club campaign by Umbro.
Click… wait a few seconds…
patience.
Now glide on the 3D NYC map, check the faces of the boroughs…
now go allllll the way down to Coney Island, and click on my bearded face.
Make sure Mikill Pane is rocking the selected sound track.
Repeat.
…can you, see the bats?
Hunter S. Thompson snap-shot pre opening night of EBE Ensemble’s Elephants on Parade Festival 2011… now playing.
October 27th, come to the next chapter in the life of “Shells” @ Joe’s Pub… I’m in the show (shhhhh… it’s a secret)
Check out what Neil Genzlinger of The New York Times wrote:
Pity Michelle Hoffman. She drinks too much wine. She broods too much about her love life. She watched way, way too much “Sex and the City”; thanks to DVD, she’s probably watching it still. And on Sunday night, as they have been doing monthly for more than a year, people will gather at Joe’s Pub to alternately laugh at and yell at her. Michelle is the title character of a one-woman show called “Shells” that has developed a festively dedicated following by working the amorphous territory where cabaret, comedy and theater intersect. The show is a slow-moving live soap opera: performed just once each month, it is a serial, with each episode inching the story along, the audience feeling free to yell advice at Shells through a very flimsy fourth wall. Shells Story, NYT…
